This database of early Christian inscriptions from Rome and its “suburbs,” from the 3rd to the 8th century, is a founding member of EAGLE, the (eventually) comprehensive European Archive of Greek and Latin Epigraphy. Most inscriptions in the project, which is ongoing with 33,162 currently online, were first published in the venerable Inscriptiones Christianes Urbis Romanae, NS vols. I-X. As is customary for digital epigraphy projects, the entry for each inscription includes a bibliography, as well as other helpful, standardized metadata, such as context (if known), material, and iconographic features (also a feature of the Inscriptions of Israel Palestine). This supplementary information will enable strategies of data analysis which are not possible for electronic corpora of literary texts. Somewhat exceptionally, a digital image of the original is included for most entries, which can be difficult for epigraphic databases because of copyright, loss, or destruction; these images are available by an agreement with the Papal Commission of Sacred Archaeology. Finally, revisions of some inscriptions are planned, part of a trend which will eventually make digital (rather than print) publication the standard source for epigraphic data.
This site, edited by Ian Scott of Tyndale Seminary, contains online editions of many Old Testament Pseudepigrapha in various ancient and medieval languages, though the basis for most is Greek, with Latin also well represented. The Introductions to each text are original and helpful, including a description of the manuscript evidence across multiple versions, and an annotated bibliography of print editions designating manuscripts used, which can also be browsed by author or keyword and searched. The currently available electronic texts are often a transcription of an out-of-copyright edition, and sometimes include evidence from multiple manuscripts; eclectic texts taking into account extant versions in Coptic, Syriac, Armenian, Ethiopic, and other languages are planned.
While the Online Critical Pseudepigrapha is still very much a work in progress, it is laudable for its efforts to make widely available the electronic text of these important documents, and thus multiplying possibilities for research. The full texts of widely cited works such as the Lives of Adam and Eve and the Testament of Abraham, which are not yet in Perseus or other open access digital library, can now be employed in DH research, for example corpus analysis with the statistics program R; copyright information varies by text, and a full statement is given here: http://ocp.tyndale.ca/copyright-and-permissions
This site offers several substantial resources. First, a list of new publications (online and print) on epigraphic culture of Late Antiquity and the early Middle Ages, last updated in January 2014, and covering the years 2008-2013; second, a list of online only resources appearing during the same period, this time listed according to region: Britain/ASE/Ireland; Gaul/Rheinland; Iberia; Italy; North Africa; and the Balkans. Clearly, these represent mostly Latin inscriptions, although other languages from these regions, including Celtic, Neo-Punic, and Hebrew. The databases in these lists include some of the major projects better known to scholars of the earlier Roman Empire, such as Hispania Epigraphica. There is further information on, e.g., professional organizations, links to digitized reference works, and a few scholarly blog entries. The database Curse Tablets of Roman Britain also caught my eye – stay tuned!
This website of “Narrations Useful to the Soul,” a genre that flourished in Late Antique monasticism, has quietly been online since at least 2001, when it is cited by John Wortley, its author, in Dumbarton Oaks Papers 55. Is this one of the first online resources to be explicitly cited in an article on Late Antiquity? In any case, it is still available at the author’s personal webpage courtesy of the University of Manitoba, where he is an emeritus professor. The Repertoire consists of over 900 précis of “spiritual tales,” culled from a wide variety of Late Antique sources, selected primarily according to criterion of narrative form. The tales are ordered arbitrarily according to “W” numbers, and frequently cross-reference the entries of François Halkin in Bibliotheca Hagiographica Graeca (1957) and Novum Auctarium Bibliothecae Hagiographicae Graecae (1984), which one must consult for manuscript descriptions of unpublished texts. The great research benefit of the site (is it good for the soul?) is the ability to search these texts for content.
This site, part of Roger Pearse’s Tertullian.org, serves as both an introduction to the history and iconography of Mithraism suitable for undergraduate instruction and an extensive collection of primary sources useful for original research. In particular, all references to the cult in classical literature have been assembled, when possible in English translation. Even more impressively, the “Catalogue of Monuments and Images,” based on Maarten Vermaseran’s 2 volume work Corpus Inscriptionum et Monumentorum Religionis Mithraicae (The Hague, 1956), provides images when available of the diverse material sources for Mithraism, from paintings to architectural plans (some of the photographs are by Pearse). This is supplemented by a list of recent discoveries and sometimes their associated images, including the London Mithraeum uncovered in 2013. Although there is no search functionality, when one knows what to look for, or just feels like browsing, this is an exceptionally useful and convenient site. There is also a fascinating section on Mithras items (in some cases their identity is uncertain) for sale on eBay and elsewhere.
The goal of this project and website is “to bring academic work on late antiquity to wider attention, to compete with ‘Roman’ and ‘Medieval’ images of the European past.” The directors are Dr Luke Lavan and Dr. Ellen Swift of the University of Kent, who are joined by several doctoral students and collaborators. Its focus is on the reconstruction of everyday life in the late antique city through the visualization and reproduction of material culture, eschewing Constantinople (which already has a well-known site) for less famous but better excavated urban environments. The posts highlight various ongoing research featuring the re-presentation of material culture, giving informative summaries about the reproduction of garments; the design and function of spoons; analysis of spices; and the process of monastic basket weaving through plaited palm leaves. The site also notes that “by reconstructing the cities in a careful scholarly manner (rather than as a market-oriented film or a computer game) the work will hopefully form the basis for an inspiring and accurate evocation of the urban form and metropolitan atmosphere of the period.” This will be important as popular films on Late Antiquity slowly begin to proliferate: most famously Agora with its evocative depiction of Alexandria, but see now Katherine of Alexandria. Beyond the potential connections between visualization and popular or documentary films, this site is of great interest for those interested in the reconstruction of Late Antique materiality.
The Ammianus Marcellinus Online Project, led by Jan Willem Drijvers at the Rijksuniversiteit Groningen, is a developing resource on this central historian of Late Antiquity, whose virtues are extolled by authors both ancient and modern. It includes an introductory biography and bibliography on general works, as well as a list of editions, translations, commentaries, and concordances. The schematic representation of the structure of the Res Gestae, based partially on T.D. Barnes work in Ammianus Marcellinus and the Representation of Historical Reality (1988) is also helpful for presenting overviews in, say, graduate seminars or for assessing the scope of the extant work. Finally, there is a collection of original short essays by various contributors. This will be an important site of basic reference, and a useful complement to the ongoing “Dutch commentary” on Ammianus, in which Drijvers is involved.