This site, edited by Ian Scott of Tyndale Seminary, contains online editions of many Old Testament Pseudepigrapha in various ancient and medieval languages, though the basis for most is Greek, with Latin also well represented. The Introductions to each text are original and helpful, including a description of the manuscript evidence across multiple versions, and an annotated bibliography of print editions designating manuscripts used, which can also be browsed by author or keyword and searched. The currently available electronic texts are often a transcription of an out-of-copyright edition, and sometimes include evidence from multiple manuscripts; eclectic texts taking into account extant versions in Coptic, Syriac, Armenian, Ethiopic, and other languages are planned.
While the Online Critical Pseudepigrapha is still very much a work in progress, it is laudable for its efforts to make widely available the electronic text of these important documents, and thus multiplying possibilities for research. The full texts of widely cited works such as the Lives of Adam and Eve and the Testament of Abraham, which are not yet in Perseus or other open access digital library, can now be employed in DH research, for example corpus analysis with the statistics program R; copyright information varies by text, and a full statement is given here: http://ocp.tyndale.ca/copyright-and-permissions
The Ammianus Marcellinus Online Project, led by Jan Willem Drijvers at the Rijksuniversiteit Groningen, is a developing resource on this central historian of Late Antiquity, whose virtues are extolled by authors both ancient and modern. It includes an introductory biography and bibliography on general works, as well as a list of editions, translations, commentaries, and concordances. The schematic representation of the structure of the Res Gestae, based partially on T.D. Barnes work in Ammianus Marcellinus and the Representation of Historical Reality (1988) is also helpful for presenting overviews in, say, graduate seminars or for assessing the scope of the extant work. Finally, there is a collection of original short essays by various contributors. This will be an important site of basic reference, and a useful complement to the ongoing “Dutch commentary” on Ammianus, in which Drijvers is involved.
This database of magical gems, named after Campbell-Bonner’s famous collection of 1954, is in fact far more extensive, containing over 1,000 items. These are drawn from over 30 collections, including the British Museum, and the Budapest Museum of Fine Arts, which is curating the website with the University of Fribourg, under the direction of an international editorial board. According to the site, the database, which is currently expanding, contains “a fourth of the known corpus of magical gems.” Its search functions allow the user to browse the gems by collection, material, place of discovery (only a few of which are known), iconographical schemes and elements, vocabulary (gem inscriptions in Greek and Latin), names, voces magicae, Logoi, and Characteres. The entries themselves contain this information, when available, along with digital images of the gems; these can even be sent as electronic postcards! There is a small glossary and bibliography, which has the helpful feature of noting the gems referred to in each entry. Clearly this is a major resource, which will become even more important as the site grows.
This fascinating and innovative project seeks to give users the experience of how statues (and their inscribed bases) constituted a collective memory among those who participated in the ritual space of the Late-Antique Roman Forum. The PI of “Visualizing Statues” is Diana Favro of UCLA, with Chris Johanson as CI and Gregor Kalas as Fellow; it was developed in UCLA’s Experiental Technologies Center, with the support of the NEH. The site is a model for a smooth interface between 3-d visualization of ancient monuments in their spatial context; 2-d plans of urban spaces; material culture, including statues bases with inscriptions; a timeline, between 284 and 526 CE; and even literary sources, namely Claudian’s portrait of the emperor Honorius’s Consular Procession in 404 CE, a compelling description of Late-Antique imperial ceremony used as a textual basis for framing the experience of the online audience. Continue reading →
This is a high-quality author site for Anastasios of Sinai, the seventh-century monk of St. Catherine’s, who has enjoyed a recent surge in scholarly attention, including both critical editions and studies of his witness to a transitional period in Late Antiquity that saw the rise of Islam in the eastern Mediterranean. The site, by Clement Kuehn (with contributions by Joseph Munitiz, S.J.), contains some well-organized, annotated bio-bibliographical information, as well as breathtaking photography of the Sinai region. Continue reading →
This important blog on Christian apocrypha was established about six years ago by Tony Burke of York University. The author posts updates and commentary on recent scholarship about apocryphal literature, as reflected in publications, conferences, and on the web. Burke, along with Brent Laundau of the University of Oklahoma, is co-editing the two-volume More Christian Apocrypha (forthcoming with Eerdmans, beginning 2013); his site also contains a useful breakdown of many apocryphal texts that will appear in this work, almost all of them highly interesting, but with no English translation and limited bibliography, which is duly provided.
This extraordinary resource, headed by Raffaella Tabacco and Maurizio Lana of the Università degli Studi del Piemonte Orientale, seeks to make available all literary Latin texts from Late Antiquity (ranging from the second to seventh centuries CE); as well as to establish a Canon of authors and acephalous works, with short descriptions and associated bibliography. One can browse by date or name of author and work, and download the Latin text (all taken from critical editions) in either .txt format or marked up in TEI XML. A relatively small percentage of the Canon is currently available, but there are regular updates, with an initial focus on pagan prose authors. Continue reading →